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Writings,
Books, and Articles
2007
Extensive entry on Richard Teitelbaum in new edition of Musik in Geschichte und Gegenwart, volume 16: www.mgg-online.com/english/E_index.htm
Article by RT: "Improvisation, Computers, and the Unconscious Mind," accepted for publication by the Contemporary Music Review, Routledge, London, England:
www.citeulike.org/journal/routledg-gcmr
2006
Cseres, Jozef: book and articles discussing GOLEM and other work published in Hungary (in Hungarian)
2003
"Integrating Extremes: The Music of Richard Teitelbaum", by Rande Raine-Reusch.
Feature article in Musicworks Magazine spring, 2003
2002
Turhanli, Halil, Anarchic Harmony: Return of the Political Avant-garde, (Turkey), Chapter on Musica Elettronica Viva (MEV) (in Turkish)
Discussion of Richard Teitelbaum and Musica Elettronica Viva (MEV) in Undercurrents: The Hidden Wiring of Modern Music, Rob Young, editor, Continuum, 2002
January, 2000
Being Human: Technological Extensions of the Body,
Marsillio Publishers, New York.
(Proceedings of Being Human Conference held at Union Theological
Seminary, Fall, 1997)
Pulse
Magazine, on MEV
2000
October 4-8, International conference/workshop
"The Relevance of Valuation Practices in the Arts for the Social
and Economic Sciences" ;
Villa La Collina, Cadenabbia (Como), Italy, (sponsored by the
Fritz Thyssen Foundation)
October, 1999
Article on Musica Elettronica Viva in: The Wire Magazine, London,
England
1997
Work discussed in: American Music in the Twentieth Century,
by KyleGann, Schirmer Books, 1997
Member
of Planning Committee and panelist, Henry Cowell Centennial,
Conference and Concerts, organized by Institute of Studies in
American Music at Brooklyn College, New York Public Library,
The New School, 92nd Street Y and the World Music Institute.
1996
Interview and discussion of work in: Electric Sound: History
of Electronic Music, by Joel Chadabe, Prentice-Hall, 1996
Panelist,
"Being Human: Technological Extensions of the Limits of the
Body", at Union Theological Seminary, New York City
"A
Conversation with Robert Moog," Annandale Magazine, Bard College
1995
"Creative Juncture: The Shakuhachi and Experimental Music,"
(Shakuhachi Music Meets the Computer Age), by Ralph Samuelson,
in: Japan Society Newsletter, January-February
"Multimedia:
A Tool for Teaching and Learning," by Cynthia Greene, in: Multimedia
Today Magazine
"Program
Music: Richard Teitelbaum," by Andrew Jones, in: EPULSE!, Issue
1.24 (onlinemagazine)
"Improvisation,
Computers and the Unconscious Mind," paper delivered at Computer
Music Conference, Simon's Rock College, Great Barrington, MA
1993
"Programming
Thick Noise: Interview with Richard Teitelbaum," by Phillip
Gelb, in: Nomad: An Inter-disciplinary Journal of the Humanities,
Arts and Sciences
Number
4, Tallahassee, Spring, 1993
1992
Extensive
discussion of Richard Teitelbaum's work, including recorded
examples of his music and computer programs on a companion CD
ROM, in Interactive MusicSystems, by Robert Rowe (MIT Press),
June 1992
Articles
on Richard Teitelbaum's Interactive GOLEM opera, by Dr. Helga
de La Motte- Haber and Susanne Winterfeldt, in POSITIONEN, a
New Journal of Music, Berlin, Germany, May 1992
1991
"Interview:
Richard Teitelbaum," with Marion Delforge, in Les Cahiers de
l'Atelier creatif electro- Acoustique Musique, Brussels, Belgium,
June 1991
1990
"Special Interview with Richard Teitelbaum: The Possibilities
of Improvisation Opened by the Computer," by Toshie Kakinuma
and Mamoru Fujieda, in Ongaku Geijutsu (Japan's leading classical
music journal), published by Ongaku-no-tomo, Vol. 48. No. 2,
Tokyo, Japan,February 1990
Score
of IRO WA NIHOEDO reproduced, with discussion of work by Dr.Helga
de La Motte- Haber, in Musik und Bildende Kunst, Laaber-Verlag,
Germany
1989
"The
Arcane Experiments of Richard Teitelbaum," interview with Mark
Dery, in Keyboard Magazine, July 1989
"Richard
Teitelbaum on the Threshold," in The Voice of New Music, by
Tom Johnson, Het Apollohuis, Eindhoven, Holland
1987
Statement by Richard Teitelbaum in Die Ars Electronica, Kunst
in Zeitsprung, Landesverlag, Linz, Austria
"Intelligente
Musikinstrumente," by Helga de La Motte-Haber, in: Musik Psychologie,
Florian Noetzel Verlag, Heinrichshofen-Bucher, Wilhelshaven,
Germany
Three
compositions, CONCERTO GROSSO, IRO WA NIHOEDO, and DIGITAL PIANO
MUSIC, reproduced in Meisterwerke der Computerkunst, Verlag
H.S. Sauer Ed., Linz, Austria
1986
"Richard (Lowe) Teitelbaum," biographical entry by Joan La Barbara
in: The New Grove Dictionary of American Music, Vol. 4; H. Wiley
Hitchcock and Stanley Sadie, eds.; Macmillan, London
1984
"The Digital Piano and the Patch Control Language System" (paper
delivered at ICMC at IRCAM, Paris, 1984), in Proceedings of
the International Computer Music Conference, William Buxton,
ed., Paris, France
1977
"Creative Music in Japan," Swing Journal, Vol. 32, No. 12, Tokyo,
Japan
1976
Interview with Richard Teitelbaum in Desert Plants: Conversations
with 23 American Musicians, by Walter Zimmerman, Aesthetic Research
Centre of Canada Publications, Vancouver, B.C., Canada
Two
compositions, HI KAESHI HACHI MI FU and THRESHOLD MUSIC, reproduced
in Pieces, Michael Byron, ed., ARC, Toronto, Canada
1974
"In Tune: Some Early Experiments
in Biofeedback Music", in Biofeedback and the Arts, Results
of Early Experiments, D. Rosenboom, Ed., Aesthetic Research
Centre of Canada, Toronto, Canada
1972
"World Band", in Soundings, No.
1, Peter Garland and John Bischoff, Eds.; Valencia, CA
1970
"Live Electronic Music," in John Cage, Documentary Monographs
in Modern Art, Richard Koselanetz, ed., Praeger, New York, NY
1969
"Ecrits de Musica Elettronica Viva," in Actuel, Paris, France
1968
"Musica Elettronica Viva," in Source, No. 3, Music of the Avant
Garde, Davis, CA
1965
"Intervallic
Relations in Atonal Music," (Master's thesis, Yale University),
in The Journal of Music Theory, 9/1, New Haven, CT
1964
"Son Nova 1988: Electronic music of Arel, Davidovsky and Ussachevsky,"
in Perspectives of New Music, Vol. 3, No. 1, Princeton, NJ
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